A Note about pay for AMS and LMAS

All My Sons by Arthur Miller

THE TIME PERIOD IS LATE 1940’S

SYNOPSIS FOR ALL MY SONS: Joe Keller, a successful businessman, lives comfortably with his wife, Kate, and son, Chris, in a suburban American neighborhood. They have only one sadness in their lives – the loss of their other son, Larry, who went missing in World War II. After three years, Kate still clings to the hope that her son is alive. Chris would like her to give up that hope because he wants to marry Ann, an old neighbor and Larry’s former fiancée. Ann arrives. Kate, sensing the reason for her visit, gets a little touchy. We learn that Ann’s father is in prison for a crime he committed while working in Joe’s factory. Faced with a batch of defective machine parts, he patched them and sent them out, causing the death of 21 pilots during the war. Turns out that Joe was also accused of this crime and convicted, but he was exonerated (set free) during the appeal. Steve went to prison; Joe returned home and made his business bigger and better. Soon after Ann’s arrival, her brother George follows, straight from visiting his father in prison. He knows what Chris has in mind and is totally against him marrying Ann. Joe and Kate do their best to charm George into submission, but finally it’s Ann who sends him away. She wants to marry Chris no matter what. The marriage of Chris and Ann is becoming a reality – and Kate can’t handle it, because it means Larry is truly dead. And if Larry is dead, she tells Chris, it’s because his own father killed him, since Larry was also a pilot. Chris finally confronts his father’s guilt in shipping those defective parts. But Chris won’t do anything about it. He won’t even ask his father to go to prison. Ann, who turned her back on her own father for the same reason, insists that Chris take a hard line. Joe Keller takes matters into his own hands.

CHARACTER BREAKDOWN FOR ARTHUR MILLER’S ALL MY SONS

Joe Keller — Joe, 60, was exonerated after being charged with knowingly shipping defective aircraft engine cylinder heads (for Curtiss P-40 Warhawks) from his factory to the military during World War II, causing the deaths of 21 pilots. For over three years he has placed the blame on his partner and former neighbor, Steve Deever, although he himself committed the crime. When the truth comes out, Joe justifies his actions by claiming that he did it for his family.

Kate Keller (Mother) —  Kate, 50, knows that Joe is guilty but lives in denial while mourning for her older son Larry, who has been “missing in action” for three years. She refuses to believe that Larry is dead and maintains that Ann Deever — who returns for a visit at the request of Larry’s brother Chris — is still “Larry’s girl” and also believes that he is coming back.

Chris Keller — Chris, 32, returned home from World War II two years before the play begins, disturbed by the realization that the world was continuing as if nothing had happened. He has summoned Ann Deever to the Keller house in order to ask her hand in marriage, but they’re faced with the obstacle of Kate’s unreasonable conviction that Larry will someday return. Chris idolizes his father, not knowing initially what he has done.

Ann Deever — Ann, 26, arrives at the Keller home having shunned her “guilty” father since his imprisonment. Throughout the play, Ann is often referred to as pretty, beautiful, and intelligent-looking and as “Annie”. She had a relationship with Larry Keller before his disappearance and has since moved on because she knows the truth of his fate. She hopes that the Kellers will consent to her marriage to Larry’s brother, Chris, with whom she has corresponded by mail for two years. Ann is the truth-bearer in the play.

George Deever — George, 31, is Ann’s older brother: a successful New York lawyer, WWII veteran, and a childhood friend of Chris’s. He initially believed in his father’s guilt, but upon visiting Steve in jail, realizes his innocence and becomes enraged at the Kellers for deceiving him. He returns to save his sister from her marriage to Chris, creating the catalyzing final events.

Dr. Jim Bayliss — Jim, 40, is a successful doctor, but is frustrated with the stifling domesticity of his life. He wants to become a medical researcher, but continues in his job as it pays the bills. He is a close friend to the Keller family and spends a lot of time in their back yard.

Sue Bayliss — Sue, 40, is Jim’s wife: needling and dangerous, but affectionate. She too is a friend of the Keller family, but is secretly resentful of what she sees as Chris’s bad idealistic influence on Jim. Sue confronts Ann about her resentment of Chris in a particularly volatile scene.eir backyard.

Frank Lubey — Frank, 33, was always one year ahead of the draft, so he never served in World War II, instead staying home to marry George’s former sweetheart, Lydia. He draws up Larry’s horoscope and tells Kate that Larry must still be alive, because the day he died was meant to be his “favorable day”. This strengthens Kate’s faith and makes it much harder for Ann to move on.

Lydia Lubey — 27 Lydia, 27, was George’s love interest before the war; after he went away, she married Frank and they soon had three children. She is a model of peaceful domesticity and lends a much-needed cheerful air to several moments of the play.

Bert —  Bert, 8, is a little boy who lives in the neighborhood; he is friends with the Bayliss’ son Tommy and frequently visits the Kellers’ yard to play “jail” with Joe. He appears only twice in the play: the first time, his part seems relatively unimportant, but the second time his character is more important as he sparks a verbal attack from mother when mentioning “jail,” which highlights Joe’s secret.

Audition Dates:  Tuesday and Wednesday, January 28 and 29 beginning at 7.  Callbacks if needed will be Thursday, January 30.

Audition Details

Actors will read sides from the script.  Please click here for the Sides.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory. 

Performances:  Thursday, April 3 at 7:30 pm (Pay What You Can), Friday, April 4 – No Performance, Saturday, April 5, 7:30 pm; Sunday, April 6, 2 pm; Friday and Saturday, April 11 and 12 at 7:30 pm and Sunday, April 13 at 2 pm.

Rehearsals:  Tuesdays, Wednesdays and Thursdays  from 7:30 – 10:00 p.m. beginning February 18.    Saturdays, March 8, 22 and 29 rehearsals will be from 1:30-4:30 pm.  Tech Week:  Sunday, March 30 – Wednesday, April 2.

Auditions, rehearsals and performances will be held at the ARTfactory in the Wind River Chimes Theater.

Director:  Ahryel Tinker

Lend Me a Soprano by Ken Ludwig

Audition Dates:  Tuesday and Wednesday, January 28 and 29 from 7 – 9:30 pm  

Callbacks: Thursday, January 30 from 7 – 9:30 pm and/or Saturday, February 1 from 2 – 5 pm.

Audition Format:  Sides from the Script.  Sides will be posted soon.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory  

Rehearsals:  Rehearsals will be held at the ARTfactory in the Wind River Chimes Theater on Tuesdays and Thursdays from 7 – 9:30 pm and Saturdays from 1:30-4:30 pm.

Tech Week:  Tech week is mandatory and begins on Sunday, June 8th.  The dates of tech week are:  June 9, 10, 11 and 12.

Performances: Fridays June 13 and 20 at 7:30 pm, Saturdays, June 14 and 21 at  7:30 pm and Sundays, June 15 and 22 at 2 pm.

Director:  Vince Worthington

Stage Manager: Julianna Gedney

Audition Details

Actors will read sides from the script for auditions.  Sides will be listed soon.

Lend Me a Soprano by Ken Ludwig Cast Description

A Note about pay for AMS and LMAS

All My Sons by Arthur Miller

THE TIME PERIOD IS LATE 1940’S

SYNOPSIS FOR ALL MY SONS: Joe Keller, a successful businessman, lives comfortably with his wife, Kate, and son, Chris, in a suburban American neighborhood. They have only one sadness in their lives – the loss of their other son, Larry, who went missing in World War II. After three years, Kate still clings to the hope that her son is alive. Chris would like her to give up that hope because he wants to marry Ann, an old neighbor and Larry’s former fiancée. Ann arrives. Kate, sensing the reason for her visit, gets a little touchy. We learn that Ann’s father is in prison for a crime he committed while working in Joe’s factory. Faced with a batch of defective machine parts, he patched them and sent them out, causing the death of 21 pilots during the war. Turns out that Joe was also accused of this crime and convicted, but he was exonerated (set free) during the appeal. Steve went to prison; Joe returned home and made his business bigger and better. Soon after Ann’s arrival, her brother George follows, straight from visiting his father in prison. He knows what Chris has in mind and is totally against him marrying Ann. Joe and Kate do their best to charm George into submission, but finally it’s Ann who sends him away. She wants to marry Chris no matter what. The marriage of Chris and Ann is becoming a reality – and Kate can’t handle it, because it means Larry is truly dead. And if Larry is dead, she tells Chris, it’s because his own father killed him, since Larry was also a pilot. Chris finally confronts his father’s guilt in shipping those defective parts. But Chris won’t do anything about it. He won’t even ask his father to go to prison. Ann, who turned her back on her own father for the same reason, insists that Chris take a hard line. Joe Keller takes matters into his own hands.

CHARACTER BREAKDOWN FOR ARTHUR MILLER’S ALL MY SONS

Joe Keller — Joe, 60, was exonerated after being charged with knowingly shipping defective aircraft engine cylinder heads (for Curtiss P-40 Warhawks) from his factory to the military during World War II, causing the deaths of 21 pilots. For over three years he has placed the blame on his partner and former neighbor, Steve Deever, although he himself committed the crime. When the truth comes out, Joe justifies his actions by claiming that he did it for his family.

Kate Keller (Mother) —  Kate, 50, knows that Joe is guilty but lives in denial while mourning for her older son Larry, who has been “missing in action” for three years. She refuses to believe that Larry is dead and maintains that Ann Deever — who returns for a visit at the request of Larry’s brother Chris — is still “Larry’s girl” and also believes that he is coming back.

Chris Keller — Chris, 32, returned home from World War II two years before the play begins, disturbed by the realization that the world was continuing as if nothing had happened. He has summoned Ann Deever to the Keller house in order to ask her hand in marriage, but they’re faced with the obstacle of Kate’s unreasonable conviction that Larry will someday return. Chris idolizes his father, not knowing initially what he has done.

Ann Deever — Ann, 26, arrives at the Keller home having shunned her “guilty” father since his imprisonment. Throughout the play, Ann is often referred to as pretty, beautiful, and intelligent-looking and as “Annie”. She had a relationship with Larry Keller before his disappearance and has since moved on because she knows the truth of his fate. She hopes that the Kellers will consent to her marriage to Larry’s brother, Chris, with whom she has corresponded by mail for two years. Ann is the truth-bearer in the play.

George Deever — George, 31, is Ann’s older brother: a successful New York lawyer, WWII veteran, and a childhood friend of Chris’s. He initially believed in his father’s guilt, but upon visiting Steve in jail, realizes his innocence and becomes enraged at the Kellers for deceiving him. He returns to save his sister from her marriage to Chris, creating the catalyzing final events.

Dr. Jim Bayliss — Jim, 40, is a successful doctor, but is frustrated with the stifling domesticity of his life. He wants to become a medical researcher, but continues in his job as it pays the bills. He is a close friend to the Keller family and spends a lot of time in their back yard.

Sue Bayliss — Sue, 40, is Jim’s wife: needling and dangerous, but affectionate. She too is a friend of the Keller family, but is secretly resentful of what she sees as Chris’s bad idealistic influence on Jim. Sue confronts Ann about her resentment of Chris in a particularly volatile scene.eir backyard.

Frank Lubey — Frank, 33, was always one year ahead of the draft, so he never served in World War II, instead staying home to marry George’s former sweetheart, Lydia. He draws up Larry’s horoscope and tells Kate that Larry must still be alive, because the day he died was meant to be his “favorable day”. This strengthens Kate’s faith and makes it much harder for Ann to move on.

Lydia Lubey — 27 Lydia, 27, was George’s love interest before the war; after he went away, she married Frank and they soon had three children. She is a model of peaceful domesticity and lends a much-needed cheerful air to several moments of the play.

Bert —  Bert, 8, is a little boy who lives in the neighborhood; he is friends with the Bayliss’ son Tommy and frequently visits the Kellers’ yard to play “jail” with Joe. He appears only twice in the play: the first time, his part seems relatively unimportant, but the second time his character is more important as he sparks a verbal attack from mother when mentioning “jail,” which highlights Joe’s secret.

Audition Dates:  Tuesday and Wednesday, January 28 and 29 beginning at 7.  Callbacks if needed will be Thursday, January 30.

Audition Details

Actors will read sides from the script.  Please click here for the Sides.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory. 

Performances:  Thursday, April 3 at 7:30 pm (Pay What You Can), Friday, April 4 – No Performance, Saturday, April 5, 7:30 pm; Sunday, April 6, 2 pm; Friday and Saturday, April 11 and 12 at 7:30 pm and Sunday, April 13 at 2 pm.

Rehearsals:  Tuesdays, Wednesdays and Thursdays  from 7:30 – 10:00 p.m. beginning February 18.    Saturdays, March 8, 22 and 29 rehearsals will be from 1:30-4:30 pm.  Tech Week:  Sunday, March 30 – Wednesday, April 2.

Auditions, rehearsals and performances will be held at the ARTfactory in the Wind River Chimes Theater.

Director:  Ahryel Tinker

Lend Me a Soprano by Ken Ludwig

Audition Dates:  Tuesday and Wednesday, January 28 and 29 from 7 – 9:30 pm  

Callbacks: Thursday, January 30 from 7 – 9:30 pm and/or Saturday, February 1 from 2 – 5 pm.

Audition Format:  Sides from the Script.  Sides will be posted soon.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory  

Rehearsals:  Rehearsals will be held at the ARTfactory in the Wind River Chimes Theater on Tuesdays and Thursdays from 7 – 9:30 pm and Saturdays from 1:30-4:30 pm.

Tech Week:  Tech week is mandatory and begins on Sunday, June 8th.  The dates of tech week are:  June 9, 10, 11 and 12.

Performances: Fridays June 13 and 20 at 7:30 pm, Saturdays, June 14 and 21 at  7:30 pm and Sundays, June 15 and 22 at 2 pm.

Director:  Vince Worthington

Stage Manager: Julianna Gedney

Audition Details

Actors will read sides from the script for auditions.  Sides will be listed soon.

Lend Me a Soprano by Ken Ludwig Cast Description

“Hoist the sails me hearties, there’s mystery on the high seas!”

Directed by Talya Conroy, Who Killed Jolly Roger by Robert J. Leblanc isn’t just another murder mystery—it’s an immersive experience.

Six months after a historic combined raid on a Spanish galley, the crews of five ships meet in the Tavern of Blackguard’s Bay to divvy the treasure. Each crew is led by a Captain of ill repute. The night takes a turn to the sinister when the self-proclaimed Pirate King tries to swindle the rest. In “Who Killed Jolly Roger?” you’ll be whisked away to a den of pirates and thieves, bawdy shanties, and murder! There are four suspects over a dead man’s chest, can you uncover who killed Jolly Roger?

​Attendees are encouraged (but not required) to dress in pirate themed attire and will be entered into a costume contest. There are also opportunities for guests to participate in the show, join in a 50/50 pirates cash booty giveaway and bid on the looted silent auction treasurers.  The grub provided by Boyd and Parker consists of passed hors d’oeuvres, salad, entrée and dessert.

Tickets are $95 per person, with an early bird discount of $85.00 through January 13th. Table reservations (eight seats) are also available. Who Killed Jolly Roger? presented by the ARTfactory February 16 in the Wind River Theater at the ARTfactory, 9419 Battle Street, Manassas.

Open Bar (Credit Only)

Audience interaction encouraged. We are looking for atmospheric performers. These characters move from table to table during the between scene breaks talking up the rumors. Atmospheric characters are allowed to create their own characters, with the approval of the director or show-runner to help build and maintain the atmosphere of the event. If you are interested, please contact Kimberly Kemp at kimberly@virginiaartfactory.org or call (703) 330-2787.

Ticket sales end at midnight on 2/1/25.

Standard Admission: $95 (Early Bird Price $85 until 1/15/2025) includes 4 course meal, and the show.

Reserved table for 8: $750 Guaranteed seating with entire party with two bottles of wine for the table, 4 course meal, and the show.

Table Sponsor (8 Seats): $1000 Guaranteed seating with entire party, two bottles of wine for the table, signage at the event, announcement at the event, sponsor name mentioned in performance and listed in the program, 4 course meal, and the show .

Premier Sponsor (16 Seats): $3000 Title Billing (“Your business presents Who Killed Jolly Roger?” business logo on all printed and digital materials, press releases, and information, Full Page Ad, Link on Donor Page, Half Page Digital Program in all ARTfactory programs for the year. Premier and guaranteed seating with entire party, two bottles of wine for each table, signage at the event, announcement at the event, sponsor name mentioned in performance and listed in the program, 4 course meal, and the show.

(Table placements are assigned with table chart by the ARTfactory)

Menu is the following:

Dinner

Passed Hors D’ouevres

Scurvy Prevention Salad

Entrees (1 Choice)

Caribbean Jerk Chicken

Rice Pilaf

Steamed Veggies

OR

Caribbean Jerk Beef

Rice Pilaf

Steamed Veggies

OR

Vegan and Gluten Free Option:

West Indian Samosa with Mint Chutney Sauce

Rice pilaf

Steamed Vegetables

Dessert (1 Choice)

Coconut Cannon Balls

OR

Tortuga Spiced Rum Cake

OR

Gluten free cake upon request

Brunch

Passed Hors D’ouevres

Scurvy Prevention Salad

Entrees (1 Choice)

Chicken and Waffle Sliders with breakfast potatoes and fruit

OR

Bacon Quiche with Sausage with breakfast potatoes and fruit

OR

West Indian Samosa with Mint Chutney Sauce with breakfast potatoes and fruit

Dessert

Coconut Cannon Balls

OR

Tortuga Spiced Rum Cake

OR

Gluten free cake upon request

“Hoist the sails me hearties, there’s mystery on the high seas!”

Directed by Talya Conroy, Who Killed Jolly Roger by Robert J. Leblanc isn’t just another murder mystery—it’s an immersive experience.

Six months after a historic combined raid on a Spanish galley, the crews of five ships meet in the Tavern of Blackguard’s Bay to divvy the treasure. Each crew is led by a Captain of ill repute. The night takes a turn to the sinister when the self-proclaimed Pirate King tries to swindle the rest. In “Who Killed Jolly Roger?” you’ll be whisked away to a den of pirates and thieves, bawdy shanties, and murder! There are four suspects over a dead man’s chest, can you uncover who killed Jolly Roger?

​Attendees are encouraged (but not required) to dress in pirate themed attire and will be entered into a costume contest. There are also opportunities for guests to participate in the show, join in a 50/50 pirates cash booty giveaway and bid on the looted silent auction treasurers.  The grub provided by Boyd and Parker consists of passed hors d’oeuvres, salad, entrée and dessert.

Tickets are $95 per person, with an early bird discount of $85.00 through January 13th. Table reservations (eight seats) are also available. Who Killed Jolly Roger? presented by the ARTfactory February 16 in the Wind River Theater at the ARTfactory, 9419 Battle Street, Manassas.

Open Bar (Credit Only)

Audience interaction encouraged. We are looking for atmospheric performers. These characters move from table to table during the between scene breaks talking up the rumors. Atmospheric characters are allowed to create their own characters, with the approval of the director or show-runner to help build and maintain the atmosphere of the event. If you are interested, please contact Kimberly Kemp at kimberly@virginiaartfactory.org or call (703) 330-2787.

Ticket sales end at midnight on 2/1/25.

Standard Admission: $95 (Early Bird Price $85 until 1/15/2025) includes 4 course meal, and the show.

Reserved table for 8: $750 Guaranteed seating with entire party with two bottles of wine for the table, 4 course meal, and the show.

Table Sponsor (8 Seats): $1000 Guaranteed seating with entire party, two bottles of wine for the table, signage at the event, announcement at the event, sponsor name mentioned in performance and listed in the program, 4 course meal, and the show .

Premier Sponsor (16 Seats): $3000 Title Billing (“Your business presents Who Killed Jolly Roger?” business logo on all printed and digital materials, press releases, and information, Full Page Ad, Link on Donor Page, Half Page Digital Program in all ARTfactory programs for the year. Premier and guaranteed seating with entire party, two bottles of wine for each table, signage at the event, announcement at the event, sponsor name mentioned in performance and listed in the program, 4 course meal, and the show.

(Table placements are assigned with table chart by the ARTfactory)

Menu is the following:

Dinner

Passed Hors D’ouevres

Scurvy Prevention Salad

Entrees (1 Choice)

Caribbean Jerk Chicken

Rice Pilaf

Steamed Veggies

OR

Caribbean Jerk Beef

Rice Pilaf

Steamed Veggies

OR

Vegan and Gluten Free Option:

West Indian Samosa with Mint Chutney Sauce

Rice pilaf

Steamed Vegetables

Dessert (1 Choice)

Coconut Cannon Balls

OR

Tortuga Spiced Rum Cake

OR

Gluten free cake upon request

Brunch

Passed Hors D’ouevres

Scurvy Prevention Salad

Entrees (1 Choice)

Chicken and Waffle Sliders with breakfast potatoes and fruit

OR

Bacon Quiche with Sausage with breakfast potatoes and fruit

OR

West Indian Samosa with Mint Chutney Sauce with breakfast potatoes and fruit

Dessert

Coconut Cannon Balls

OR

Tortuga Spiced Rum Cake

OR

Gluten free cake upon request

“Hoist the sails me hearties, there’s mystery on the high seas!”

“Hoist the sails me hearties, there’s mystery on the high seas!”

Directed by Talya Conroy, Who Killed Jolly Roger by Robert J. Leblanc isn’t just another murder mystery—it’s an immersive experience.

Six months after a historic combined raid on a Spanish galley, the crews of five ships meet in the Tavern of Blackguard’s Bay to divvy the treasure. Each crew is led by a Captain of ill repute. The night takes a turn to the sinister when the self-proclaimed Pirate King tries to swindle the rest. In “Who Killed Jolly Roger?” you’ll be whisked away to a den of pirates and thieves, bawdy shanties, and murder! There are four suspects over a dead man’s chest, can you uncover who killed Jolly Roger?

​Attendees are encouraged (but not required) to dress in pirate themed attire and will be entered into a costume contest. There are also opportunities for guests to participate in the show, join in a 50/50 pirates cash booty giveaway and bid on the looted silent auction treasurers.  The grub provided by Boyd and Parker consists of passed hors d’oeuvres, salad, entrée and dessert.

Tickets are $95 per person, with an early bird discount of $85.00 through January 13th. Table reservations (eight seats) are also available. Who Killed Jolly Roger? presented by the ARTfactory February 16 in the Wind River Theater at the ARTfactory, 9419 Battle Street, Manassas.

Open Bar (Credit Only)

Audience interaction encouraged. We are looking for atmospheric performers. These characters move from table to table during the between scene breaks talking up the rumors. Atmospheric characters are allowed to create their own characters, with the approval of the director or show-runner to help build and maintain the atmosphere of the event. If you are interested, please contact Kimberly Kemp at kimberly@virginiaartfactory.org or call (703) 330-2787.

Ticket sales end at midnight on 2/1/25.

Standard Admission: $95 (Early Bird Price $85 until 1/15/2025) includes 4 course meal, and the show.

Reserved table for 8: $750 Guaranteed seating with entire party with two bottles of wine for the table, 4 course meal, and the show.

Table Sponsor (8 Seats): $1000 Guaranteed seating with entire party, two bottles of wine for the table, signage at the event, announcement at the event, sponsor name mentioned in performance and listed in the program, 4 course meal, and the show .

Premier Sponsor (16 Seats): $3000 Title Billing (“Your business presents Who Killed Jolly Roger?” business logo on all printed and digital materials, press releases, and information, Full Page Ad, Link on Donor Page, Half Page Digital Program in all ARTfactory programs for the year. Premier and guaranteed seating with entire party, two bottles of wine for each table, signage at the event, announcement at the event, sponsor name mentioned in performance and listed in the program, 4 course meal, and the show.

(Table placements are assigned with table chart by the ARTfactory)

Menu is the following:

Brunch

Passed Hors D’ouevres

Scurvy Prevention Salad

Entrees (1 Choice)

Chicken and Waffle Sliders with breakfast potatoes and fruit

OR

Bacon Quiche with Sausage with breakfast potatoes and fruit

OR

West Indian Samosa with Mint Chutney Sauce with breakfast potatoes and fruit

Dessert

Coconut Cannon Balls

OR

Tortuga Spiced Rum Cake

OR

Gluten free cake upon request

Combined Auditions for Cabaret and Little Shop of Horrors

Audition Dates:  Tuesday, Wednesday and Thursday, March 11, 12 and 13.

Callbacks: Saturday, March 15.  A singing and reading round will be required at callbacks as well as a choreography round. There will be two rounds of dance callbacks-one general call and one for those being considered for Sally Bowles, Emcee and the Kit Kat Club.

Audition Format: Please prepare 2 songs (16-32 bars) of music-contrasting styles.  Please bring sheet music or tracks.  If you decide to sing with a backing track, we suggest you bring a speaker to play it on.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory  

Rehearsals:    Rehearsals will be held at the ARTfactory in the Wind River Chimes Theater on Tuesdays, Wednesdays and Thursdays from 7 – 9:30 pm beginning May 6 and Saturdays from 1:30-4:30 pm beginning May 31.

Tech Week:  Tech week is mandatory and begins on Sunday, July 8th.  The dates of tech week are:  July 9, 10, 11 and 12.

Performances: Fridays and Saturdays July 11, 12, 18 and 19 at 7:30 pm and Sundays, July 13 and 20 at  2 pm with possible extension dates July 25, 26 and 27.

Director:  Kimberly Kemp

Music Director:  Ahryel Tinker

Choreographer:  Stefan Sittig

Tech Director:  Jimmy Conroy

Stage Manager:  Allie Lefon-Fogleson

Lighting Designer:  Andrew Harasty

Costumer:  Olivia Finnegan

Props:  Lissa Unrue

Cabaret is presented with permission from Concord Theatricals.

LITTLE SHOP OF HORRORS INFORMATION

Step into the quirky and captivating world of “Little Shop of Horrors, the beloved Broadway musical that combines humor, horror and unforgettable melodies!  Join Seymour, Audrey and a host of charming characters as they navigate love, ambition and a seemingly harmless plant that harbors a dark secret.

Set in a small floral shop in urban Skid Row, this delightful tale invites you to experience a blooming romance coupled with a growing menace.  With it’s catchy tunes, like “Suddenly Seymour” and “Feed Me,” and a storyline that blends comedy with a dash of horror, this production promises to be an unforgettable experience for performers and audiences alike.

Audition Dates:  Tuesday, Wednesday and Thursday, March 11, 12 and 13.

Callbacks: Saturday, March 15.  A singing and reading round will be required at callbacks as well as a choreography round.

Audition Format:  Please prepare 2 songs (16-32 bars) of music-contrasting styles.  Please bring sheet music or tracks.  If you decide to sing with a backing track, we suggest you bring a speaker to play it on.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory  

Rehearsals:    Rehearsals will be held at the ARTfactory in the Wind River Chimes Theater on Tuesdays and Thursdays from 7 – 9:30 pm and Saturdays from 1:30-4:30 pm beginning July 15.

Tech Week:  Tech week is mandatory and begins with load in on Sunday, September 14.  The dates of tech week are:  Monday through Thursday, September 15-18.

Performances: Fridays and Saturdays September 19, 20, 26 and 27 at 7:30 pm and Saturday and Sundays, July 20, 21, 27 and 28 at 2 pm.

Director:  Christopher J. Maulden

Assistant Director:  Danny Seal

Vocal Director:  Chelsea Majors

Conductor:  Matt Scarborough

Choreographer:  Kimberly Geipel

Tech Director:  Jimmy Conroy

Scenic Design and Construction:  Reilly Cooper

Lighting Designer:  Andrew Harasty

Stage Manager:  Dave Reph

Costumer:  Jenn Durham

Props:  Lissa Unrue

Little Shop of Horrors is presented with permission from Music Theatre International.

Audition Details for both Cabaret and Little Shop of Horrors

Combined Auditions for Cabaret and Little Shop of Horrors

Audition Dates:  Tuesday, Wednesday and Thursday, March 11, 12 and 13.

Callbacks: Saturday, March 15.  A singing and reading round will be required at callbacks as well as a choreography round. There will be two rounds of dance callbacks-one general call and one for those being considered for Sally Bowles, Emcee and the Kit Kat Club.

Audition Format: Please prepare 2 songs (16-32 bars) of music-contrasting styles.  Please bring sheet music or tracks.  If you decide to sing with a backing track, we suggest you bring a speaker to play it on.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory  

Rehearsals:    Rehearsals will be held at the ARTfactory in the Wind River Chimes Theater on Tuesdays, Wednesdays and Thursdays from 7 – 9:30 pm beginning May 6 and Saturdays from 1:30-4:30 pm beginning May 31.

Tech Week:  Tech week is mandatory and begins on Sunday, July 8th.  The dates of tech week are:  July 9, 10, 11 and 12.

Performances: Fridays and Saturdays July 11, 12, 18, 19, 25 and 26 at 7:30 pm and Sundays, July 13,  20 and 27 at  2 pm.

Director:  Kimberly Kemp

Music Director:  Ahryel Tinker

Choreographer:  Stefan Sittig

Tech Director:  Jimmy Conroy

Stage Manager:  Allie Lefon-Fogleson

Lighting Designer:  Andrew Harasty

Costumer:  Olivia Finnegan

Props:  Lissa Unrue

Cabaret is presented with permission from Concord Theatricals.

LITTLE SHOP OF HORRORS INFORMATION

Step into the quirky and captivating world of “Little Shop of Horrors, the beloved Broadway musical that combines humor, horror and unforgettable melodies!  Join Seymour, Audrey and a host of charming characters as they navigate love, ambition and a seemingly harmless plant that harbors a dark secret.

Set in a small floral shop in urban Skid Row, this delightful tale invites you to experience a blooming romance coupled with a growing menace.  With it’s catchy tunes, like “Suddenly Seymour” and “Feed Me,” and a storyline that blends comedy with a dash of horror, this production promises to be an unforgettable experience for performers and audiences alike.

Audition Dates:  Tuesday, Wednesday and Thursday, March 11, 12 and 13.

Callbacks: Saturday, March 15.  A singing and reading round will be required at callbacks as well as a choreography round.

Audition Format:  Please prepare 2 songs (16-32 bars) of music-contrasting styles.  Please bring sheet music or tracks.  If you decide to sing with a backing track, we suggest you bring a speaker to play it on.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory  

Rehearsals:    Rehearsals will be held at the ARTfactory in the Wind River Chimes Theater on Tuesdays and Thursdays from 7 – 9:30 pm beginning July 15 and Saturdays from 1:30-4:30 pm.

Tech Week:  Tech week is mandatory and begins with load in on Sunday, September 14.  The dates of tech week are:  Monday through Thursday, September 15-18.

Performances: Fridays and Saturdays September 19, 20, 26 and 27 at 7:30 pm and Saturday and Sundays September 20, 21, 27 and 28 at 2 pm.

Director:  Christopher J. Maulden

Assistant Director:  Danny Seal

Conductor:  Matt Scarborough

Choreographer:  Kimberly Geipel

Tech Director:  Jimmy Conroy

Scenic Design and Construction:  Reilly Cooper

Lighting Designer:  Andrew Harasty

Stage Manager:  Dave Reph

Costumer:  Jenn Durham

Props:  Lissa Unrue

Little Shop of Horrors is presented with permission from Music Theatre International.

Audition Details for both Cabaret and Little Shop of Horrors

Combined Auditions for Cabaret and Little Shop of Horrors

Audition Dates:  Tuesday, Wednesday and Thursday, March 11, 12 and 13.

Callbacks: Saturday, March 15.  A singing and reading round will be required at callbacks as well as a choreography round. There will be two rounds of dance callbacks-one general call and one for those being considered for Sally Bowles, Emcee and the Kit Kat Club.

Audition Format: Please prepare 2 songs (16-32 bars) of music-contrasting styles.  Please bring sheet music or tracks.  If you decide to sing with a backing track, we suggest you bring a speaker to play it on.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory  

Rehearsals:    Rehearsals will be held at the ARTfactory in the Wind River Chimes Theater on Tuesdays, Wednesdays and Thursdays from 7 – 9:30 pm beginning May 6 and Saturdays from 1:30-4:30 pm beginning May 31.

Tech Week:  Tech week is mandatory and begins on Sunday, July 8th.  The dates of tech week are:  July 9, 10, 11 and 12.

Performances: Fridays and Saturdays July 11, 12, 18, 19, 25  and 26 at 7:30 pm and Sundays, July 13, 20 and 27 at  2 pm.

Director:  Kimberly Kemp

Music Director:  Ahryel Tinker

Choreographer:  Stefan Sittig

Tech Director:  Jimmy Conroy

Stage Manager:  Allie Lefon-Fogleson

Lighting Designer:  Andrew Harasty

Costumer:  Olivia Finnegan

Props:  Lissa Unrue

Cabaret is presented with permission from Concord Theatricals.

LITTLE SHOP OF HORRORS INFORMATION

Step into the quirky and captivating world of “Little Shop of Horrors, the beloved Broadway musical that combines humor, horror and unforgettable melodies!  Join Seymour, Audrey and a host of charming characters as they navigate love, ambition and a seemingly harmless plant that harbors a dark secret.

Set in a small floral shop in urban Skid Row, this delightful tale invites you to experience a blooming romance coupled with a growing menace.  With it’s catchy tunes, like “Suddenly Seymour” and “Feed Me,” and a storyline that blends comedy with a dash of horror, this production promises to be an unforgettable experience for performers and audiences alike.

Audition Dates:  Tuesday, Wednesday and Thursday, March 11, 12 and 13.

Callbacks: Saturday, March 15.  A singing and reading round will be required at callbacks as well as a choreography round.

Audition Format:  Please prepare 2 songs (16-32 bars) of music-contrasting styles.  Please bring sheet music or tracks.  If you decide to sing with a backing track, we suggest you bring a speaker to play it on.

Audition and Performance Location:  Wind River Chimes Theater at the ARTfactory  

Rehearsals:    Rehearsals will be held at the ARTfactory in the Wind River Chimes Theater on Tuesdays and Thursdays from 7 – 9:30 pm and Saturdays from 1:30-4:30 pm.

Tech Week:  Tech week is mandatory and begins with load in on Sunday, September 14.  The dates of tech week are:  Monday through Thursday, September 15-18.

Performances: Fridays and Saturdays September 19, 20, 26 and 27 at 7:30 pm  and July 20, 21, 27 and 28 at 2 pm.

Director:  Christopher J. Maulden

Assistant Director:  Danny Seal

Conductor:  Matt Scarborough

Choreographer:  Kimberly Geipel

Tech Director:  Jimmy Conroy

Scenic Design and Construction:  Reilly Cooper

Lighting Designer:  Andrew Harasty

Stage Manager:  Dave Reph

Costumer:  Jenn Durham

Props:  Lissa Unrue

Little Shop of Horrors is presented with permission from Music Theatre International.

Audition Details for both Cabaret and Little Shop of Horrors